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Note:Spoilers below for this issue!
With all the (unnecessary) hype surrounding DC’s reboot of Alan Scott I decided to check out the premiere issue of Earth 2. (side note: bought it digitally and it still cost $3.99. DC, please get on lowering the price points of your digital comics) I read the Huntress mini, which was fantastic, and have World’s Finest on my pull list so why not read this and get a fuller picture of what’s happening, right?
Right off the bat, I like that they’ve cut these Golden Age heroes’ ages down by sixty plus years. We see Jay Garrick and he’s twenty-one. Alan Scott is probably in his early thirties. Removing seventy years of back story from these guys is brilliant. Now, that’s not meant as a jab to who they were before or the stories that have been told, but if you’re a company attempting to start fresh this is the way to do it. (sidenote two: this is where Marvel’s Ultimate-verse failed; they had a chance to go in new directions and they just wound up telling the same stories.)
Thing two that I liked, and what has me most interested in this world, is that there is no Trinity. Batman, Superman and Wonder Woman are dead. They were killed saving the world from an alien invasion from the world of Apokolips. So we’re left with, so far, Huntress (Batman’s daughter and former sidekick Robin) and Power Girl (Supergirl, Superman’s cousin). Jay meets a crash-landed Mercury at the end of issue one and, I’m assuming, Alan isn’t too far behind in becoming Green Lantern. That’s pretty gutsy, killing off the three biggest heroes, and I’m really hoping it’s a world building point that’s held to.
The inclusion of Apokolips has my interest piqued, too, and I’m really hoping this means we get Big Barda (and Mister Miracle? That would be pretty sweet!). I’m curious, though, to see how this ties in with the New 52 titles as Darkseid’s already made an appearance in Justice League. I worry that this will become needlessly complicated.
Ultimately, though, I feel that this is a book, and a premise, with great potential and I’m interested in seeing how everything comes together and plays out. It’s great seeing Nicola Scott’s pencils, too; I love her art.











